Artists Have a Duty to Dissent—Even Against Obama

Via Glenn Reynolds, check out Patrick Courrielche, "The Artist Formerly Known as Dissident":

For over 14 years, I've been professionally involved in the street-art community, hosting events where artists paint live installations, and producing and promoting national art tours. I've personally known the key players behind the Barack Obama "Hope" posters for many years—one being a former employee of mine, another a former colleague. I'm excited for their accomplishment and sense of pride for participating in Obama's historic presidential campaign. When asked by my former employee to be involved with the Hope poster distribution, I declined on philosophical grounds, but fully appreciated and understood their passions.

But that said, it feels to me, as it did during the campaign, that the art community is not meeting its duty of always questioning those in power. And I say duty because the art community, as a counterpart of the press, has been given special rights written into the Bill of Rights, known broadly as freedom of the press, for the explicit purpose of keeping power in check ....

Consider the recent flurry of debate over the Obama "Joker" posters that have been appearing in Los Angeles ....

I find it hard to believe that the Obama Joker creator is the only serious detractor (assuming that it is a critical commentary) within the art community. And I'm sure the incendiary criticism will keep others from creating similar images. But regardless of political affiliation, the art community must embrace all rational dissenters. Art must not exclusively serve the interests of any presidential administration.

It's time for the art community to return to its historical role in political affairs, which means speaking to power, not on behalf of it. Which leads me to the second case where art enters politics on a mass scale. The power of art, in combination with the suppression of free speech or a free press, has been used as a tool by authoritarian governments to control their citizens. From Hitler, Stalin, and Mao to Saddam Hussein and Kim Jong Il, art has been used to deify leaders while preserving the position of the ruling class. Most artists would not want to be referred to as tools of the state, but in the case of Obama's administration, that's exactly what they've been so far.

Read the whole thing, with citations, at the link.